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Tanya Wexler's 'Buffaloed' operates at a breakneck, caffeine-fueled velocity, anchored entirely by Zoey Deutch's tour-de-force performance as a fiercely unapologetic orchestrator of chaos. Deutch elevates the film from a standard socio-economic satire into a kinetic character study of predatory ambition. Wexler directs with a Scorsese-esque swagger, employing rapid-fire editing and fourth-wall breaks to demystify the ethically bankrupt underworld of America's debt collection industry. The screenplay sharply weaponizes the economic desperation of its blue-collar Rust Belt setting, framing the American Dream as an inherently exploitative pyramid scheme. However, the film's relentless momentum is a double-edged sword; while it flawlessly mirrors its protagonist's hyperactive hustle, it occasionally glosses over deeper psychological nuance and systemic critiques in favor of irreverent, stylized antics. Jai Courtney subverts his typical action-hero persona to deliver a deliciously sleazy antagonist, adding necessary friction to the narrative. Ultimately, 'Buffaloed' is a razor-sharp, inherently cynical examination of late-stage capitalism, sustained by a powerhouse leading performance that refuses to let the audience look away.
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